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	<title>Marisa Parham</title>
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	<link>http://marisaparham.com</link>
	<description>prof. marisa parham @ amherst college</description>
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		<title>Marisa Parham @ Amherst College</title>
		<link>http://marisaparham.com/2009/08/marisa-parham-amherst-college/</link>
		<comments>http://marisaparham.com/2009/08/marisa-parham-amherst-college/#comments</comments>
		<pubDate>Sat, 15 Aug 2009 19:27:15 +0000</pubDate>
		<dc:creator>MP</dc:creator>
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		<guid isPermaLink="false">http://marisaparham.com/?p=366</guid>
		<description><![CDATA[ 

degrees
PhD – Columbia University (2004)
M.Phil. – Columbia University (2000)
M.A. – Columbia University (1997)
A.B. – Washington University (1996)
teaching
I teach classes in African-American literary and cultural studies, modern American popular culture, and Anglophone literatures after colonialism. I generally teach in one of two modes, either working to train students to reconcile social and historical concerns with [...]]]></description>
			<content:encoded><![CDATA[<p><span style="font-family: Times; font-size: medium; line-height: normal;"> </span></p>
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<div><strong><span style="color: #333333;">degrees</span></strong><span style="color: #333333;"><br />
PhD – Columbia University (2004)<br />
M.Phil. – Columbia University (2000)<br />
M.A. – Columbia University (1997)<br />
A.B. – Washington University (1996)</span></p>
<p><strong><span style="color: #333333;">teaching</span></strong><span style="color: #333333;"><br />
I teach classes in African-American literary and cultural studies, modern American popular culture, and Anglophone literatures after colonialism. I generally teach in one of two modes, either working to train students to reconcile social and historical concerns with literary hermeneutics, or to work across media as public intellectuals. In both kinds of classes I emphasize close attention to textual nuance, and the development of clear, concise argumentation&#8211;on paper and also using new media.</span></p>
<p><strong><span style="color: #333333;">research</span></strong><span style="color: #333333;"><br />
My research follows a trajectory similar to my teaching, using a blend of literary analysis and cultural studies to write on a diverse range of topics, mainly in relation to minority life in the twentieth century.</span></p>
<p><span style="color: #333333;">You can click </span><a href="http://marisaparham.com/"><span style="color: #333333;">here</span></a><span style="color: #333333;"> to learn more about my scholarly work and also to see my CV. Click </span><a href="http://marisaparham.com/courses/"><span style="color: #333333;">here</span></a><span style="color: #333333;"> to learn more about my teaching, and </span><a href="http://marisaparham.com/other-projects/"><span style="color: #333333;">here</span></a><span style="color: #333333;"> to see more about my work outside of academia proper.</span></p>
<p><strong><span style="color: #333333;">selected publications</span></strong><span style="color: #333333;"><br />
</span> <strong><span style="color: #333333;">longer</span></strong><span style="color: #333333;"><br />
</span> <strong><span style="color: #333333;">::</span></strong><span style="color: #333333;"> </span><em><span style="color: #333333;">The CLR James Journal</span></em><span style="color: #333333;">, special issue on Édouard Glissant (forthcoming, co-edited w/ John Drabinski)<br />
</span> <strong><span style="color: #333333;">:: </span></strong><em><span style="color: #333333;">Haunting and Displacement in African-American Literature</span></em><span style="color: #333333;"> (</span><a href="http://marisaparham.com/publications/haunting-and-displacement/"><span style="color: #333333;">Routledge, 2008</span></a><span style="color: #333333;">)<br />
</span> <strong><span style="color: #333333;">::</span></strong><span style="color: #333333;"> </span><em><span style="color: #333333;">The African American Student’s Guide to College</span></em><span style="color: #333333;"> (</span><a href="http://www.amazon.com/gp/product/0679778780?ie=UTF8&amp;tag=1369-20&amp;linkCode=as2&amp;camp=1789&amp;creative=390957&amp;creativeASIN=0679778780"><span style="color: #333333;">Random House, 1998</span></a><span style="color: #333333;">)</span></p>
<p><strong><span style="color: #333333;">shorter</span></strong><span style="color: #333333;"><br />
</span> <strong><span style="color: #333333;">::</span></strong><span style="color: #333333;"> &#8220;Saying &#8216;Yes&#8217;: Textual Traumas in Octavia Butler’s Kindred,&#8221; </span><em><span style="color: #333333;">Callaloo</span></em><span style="color: #333333;">, fall 2009<br />
</span> <strong><span style="color: #333333;">:: </span></strong><span style="color: #333333;">&#8220;Hughes, Cullen, and the Insights of Memory,&#8221; </span><em><a href="http://muse.jhu.edu/login?uri=/journals/elh/v074/74.2parham.html"><span style="color: #333333;">ELH</span></a><span style="font-style: normal;"><span style="color: #333333;">, 2007</span></span></em><span style="color: #333333;"><br />
</span> <strong><span style="color: #333333;">:: </span></strong><span style="color: #333333;">&#8220;You can’t flow over this: Acoustic Illusion in Bob Kaufman and Ursula Rucker,&#8221; in </span><em><a href="http://www.ingentaconnect.com/content/rodopi/tham/2008/00000018/00000001/art00005#avail"><span style="color: #333333;">Sonic Interventions</span></a><span style="font-style: normal;"><span style="color: #333333;">, 2007</span></span></em><span style="color: #333333;"><br />
</span> <strong><span style="color: #333333;">→</span></strong><span style="color: #333333;"> click </span><a href="http://marisaparham.com/publications/"><span style="color: #333333;">here</span></a><span style="color: #333333;"> to see more publications</span></p>
<p><strong><span style="color: #333333;">papers and workgroups</span></strong><span style="color: #333333;"><br />
</span> <strong><span style="color: #333333;">upcoming</span></strong><span style="color: #333333;"><br />
Guest Instructor, New Media Boot Camp : “</span><a href="http://cca.rutgers.edu/documents/CfCPackage.pdf"><span style="color: #333333;">Extensional Pedagogies</span></a><span style="color: #333333;">”<br />
</span> <em><span style="color: #333333;">The Center for Cultural Analysis</span></em><span style="color: #333333;"> (CCA) @ Rutgers University. 5/09.</span></p>
<p><span style="color: #333333;">“Dominion/Domination: Justice, Memory, and the Environment in Hogan and Kogawa”<br />
</span> <em><span style="color: #333333;">American Comparative Literature Association Meeting</span></em><span style="color: #333333;">, Harvard University. 3/09.<br />
</span> <strong><span style="color: #333333;">→</span></strong><span style="color: #333333;"> click </span><a href="http://marisaparham.com/papers-workgroups/"><span style="color: #333333;">here</span></a><span style="color: #333333;"> for a complete listing</span></p>
<p><strong><span style="color: #333333;">awards and honors</span></strong><span style="color: #333333;"><br />
</span> <strong><span style="color: #333333;">::</span></strong><span style="color: #333333;"> Senior Sabbatical Fellowship, Amherst College (2009-2010)<br />
</span> <strong><span style="color: #333333;">:: </span></strong><span style="color: #333333;">Sheila Biddle Ford Foundation Fellow, W.E.B. DuBois Institute for African and AfAm Research, Harvard<br />
</span> <strong><span style="color: #333333;">→</span></strong><span style="color: #333333;"> click </span><a href="http://marisaparham.com/"><span style="color: #333333;">here</span></a><span style="color: #333333;"> for a complete listing, or to see my CV.</span></div>
</div>
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		<title>Nikky Finney, and other things I should have told you</title>
		<link>http://marisaparham.com/2007/09/nikky-finney-and-other-things-i-should-have-told-you/</link>
		<comments>http://marisaparham.com/2007/09/nikky-finney-and-other-things-i-should-have-told-you/#comments</comments>
		<pubDate>Wed, 19 Sep 2007 13:17:16 +0000</pubDate>
		<dc:creator>MP</dc:creator>
				<category><![CDATA[]]></category>

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		<description><![CDATA[Went last night to see Nikky Finney read at the Smith Poetry Center. I know! I should have posted before I went, in case you wanted to go too. But don&#8217;t worry, you can click here to see the rest of the schedule.
Finney&#8217;s work is quite nice; always engaging in its visuality, and completely absorbing [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.smith.edu/poetrycenter/poets/nfinney.html" target="_blank"><img src="http://www.smith.edu/poetrycenter/poets/images/poets/nfinney.jpg" align="left" height="152" hspace="12" width="100" /></a>Went last night to see Nikky Finney read at the Smith Poetry Center. I know! I should have posted before I went, in case you wanted to go too. But don&#8217;t worry, you can click <a href="http://www.smith.edu/poetrycenter/index.html">here</a> to see the rest of the schedule.</p>
<p>Finney&#8217;s work is quite nice; always engaging in its visuality, and completely absorbing at its best. Finney&#8217;s poems write her experiences of the world into images. As my friend said after the reading, I can&#8217;t wait to see her film. Because if she isn&#8217;t working on one, she should be!</p>
<p>I&#8217;ve put a few images of books by Nikky Finney at the end of this post, including the <a href="http://www.cavecanempoets.org/">Cave Canem</a> anthology; just click one of the images to see all of her titles. (Thankfully she is in print; you really should pick one up.) And following is her bio from the Smith College web site.</p>
<p style="text-align: center"><span id="more-12"></span></p>
<p>Speaking of events I should have mentioned beforehand, last Friday I went to see Peter Simatei (whom I am co-hosting with Katwiwa Mule from Smith) and the other fellows in the African Scholars Program. All of the scholars are doing pretty exciting stuff: Peter and Afis Ayinde Oladosu are both doing literary projects, with Peter looking at literature and the East Indian Diaspora in East Africa, and Afis working on nationalism in Sudanese literature. Imani Sanga, meanwhile, is an ethnomusicologist, working on popular church music in Tanzania, particularly Dar es Salaam.</p>
<p>&#8220;NIKKY FINNEY’s poems provide glimpses into the human adventures of birth, death, family, violence, sexuality, and relationship, exploring the soul of human community. They point out the constants we share and appeal for more compassion, reaching from the personal into the collective with equal measures of love and rage. Writes Walter Mosely, “She has flung me into an afterbirth of stars and made my stiff bones as loose as jelly.” Author of four books, most recently The World is Round, Finney is a founding member of the Affrilachian Poets, a group of Appalachian writers of African descent. Professor of Creative Writing at the University of Kentucky, she is this year’s Grace Hazard Conkling Writer-in-Residence at Smith College.&#8221;</p>
<p><OBJECT classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" codebase="http://fpdownload.macromedia.com/get/flashplayer/current/swflash.cab" id="Player_8f94b051-b672-459a-a2c2-14a6871157aa"  WIDTH="336px" HEIGHT="280px"> <PARAM NAME="movie" VALUE="http://ws.amazon.com/widgets/q?ServiceVersion=20070822&#038;MarketPlace=US&#038;ID=V20070822%2FUS%2F1369-20%2F8003%2F8f94b051-b672-459a-a2c2-14a6871157aa&#038;Operation=GetDisplayTemplate"><PARAM NAME="quality" VALUE="high"><PARAM NAME="bgcolor" VALUE="#FFFFFF"><PARAM NAME="allowscriptaccess" VALUE="never"><embed src="http://ws.amazon.com/widgets/q?ServiceVersion=20070822&#038;MarketPlace=US&#038;ID=V20070822%2FUS%2F1369-20%2F8003%2F8f94b051-b672-459a-a2c2-14a6871157aa&#038;Operation=GetDisplayTemplate" id="Player_8f94b051-b672-459a-a2c2-14a6871157aa" quality="high" bgcolor="#ffffff" name="Player_8f94b051-b672-459a-a2c2-14a6871157aa" allowscriptaccess="never"  type="application/x-shockwave-flash" align="middle" height="280px" width="336px"/> </OBJECT> <NOSCRIPT><A HREF="http://ws.amazon.com/widg</p>
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		<title>Smells like Fall!</title>
		<link>http://marisaparham.com/2007/08/welcome/</link>
		<comments>http://marisaparham.com/2007/08/welcome/#comments</comments>
		<pubDate>Sat, 25 Aug 2007 00:06:56 +0000</pubDate>
		<dc:creator>MP</dc:creator>
				<category><![CDATA[]]></category>

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		<description><![CDATA[It&#8217;s almost time for classes. I must say, this should be a good year. I&#8217;m sponsoring the poet Suheir Hammad as a Copeland Fellow, and I think the group in general is pretty fabulous. I hosted the filmmaker Prashant Bhargava (dir., Sangam, 2004) here in 2006, as he worked on developing his new film, Patang.
In [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.killerofsheep.com/filmmaker.html"><img src="http://www.killerofsheep.com/images/photo_charles-burnett.gif" title="Charles Burnett" alt="Charles Burnett" align="left" height="111" hspace="12" width="124" /></a>It&#8217;s almost time for classes. I must say, this should be a good year. I&#8217;m sponsoring <strong><a href="http://www.suheirhammad.com/#">the poet Suheir Hammad</a></strong> as a <strong><a href="https://cms.amherst.edu/academiclife/dean_faculty/copeland/fellows">Copeland Fellow</a></strong>, and I think the group in general is pretty fabulous. I hosted the filmmaker Prashant Bhargava (dir., <em><a href="http://sangam.tv/">Sangam</a></em>, 2004) here <a href="http://www.amherst.edu/~pubaff/news/news_releases/05/2006_02copeland.html">in 2006</a>, as he worked on developing his new film, <strong><em><a href="http://patang.tv/">Patang</a></em></strong>.</p>
<p>In <a href="http://amherstcinema.org/films/summary/index.php?id=83">Amherst Cinema</a> news, <strong><a href="http://www.killerofsheep.com/filmmaker.html">Charles Burnett</a> </strong>(dir., <a href="http://www.killerofsheep.com/"><em>Killer of Sheep</em></a>, 1977) should be coming this Fall, and I am hoping to get him to come for a class visit too. If you&#8217;re interested, check out the trailers after the jump!</p>
<p style="text-align: center"><span id="more-3"></span></p>
<p><img src="http://www.mu.ac.ke/images/mulibrary.gif" title="Moi University library" alt="Moi University library" align="right" height="99" hspace="3" width="130" />Finally, I am also co-hosting a visiting scholar, <strong>Peter Simatei</strong>. Prof. Simatei will in the U.S. this semester as part of Five College, Inc.&#8217;s <a href="http://www.fivecolleges.edu/sites/asp/fellows_2007/">African Scholars Program</a>. He hails from the theater department at Moi University, which is in Eldoret, Kenya, and will be housed in the U.S. at Smith College. His project is on the East Asian Diaspora in East Africa, which <a href="http://calendar.fivecolleges.edu/FiveCol/index.cgi?span=event&amp;ID=284537&amp;day=15&amp;month=November&amp;year=2007&amp;state_values=">he&#8217;ll be giving a talk on</a> in November.</p>
<p><strong>And here&#8217;s the trailer for Burnett&#8217;s <em>Killer of Sheep</em>:<br />
</strong><br />
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<p>And click <a href="http://www.patang.tv/patang.mov"><strong>here</strong></a> to watch the trailer for Bhargava&#8217;s upcoming <em>Patang.</em></p>
<p>See, summer is ending, but there&#8217;s plenty to look forward to!</p>
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